Most of our memories are only as strong as our senses. We don’t retain a perfect, objective recollection of what was. We only remember what we feel, see, touch, hear or smell. Director J.-P. Valkeapää uses this human fallibility to brilliant effect for the opening of Dogs Don’t Wear Pants.
Son-Mother is reminiscent of the humanist dramas of Jafar Panahi (who, just like Mohammadi herself, was also barred from travelling abroad and sentenced to prison for his views) and his radical critique of orthodox Iranian values and traditions, anchored by a nearly-wordless central performance from the young Mahan Nasiri, vividly reflecting the pain of having one’s fundamental rights violated and then being coerced into accepting their fate without protest.
In the words of co-director Anna Falguères, “If history is always written by the victorious, Pompei is a marvellous counterexample.” She was, of course, referring to the lost city and its immortalization through a natural disaster, but her words apply just as well to the microcosm (of a time and Continue Reading
Thomas Heise’s sprawling epic, Heimat is a Space in Time, charts the progress and gradual disintegration of a family spanning over three generations, which is juxtaposed against nearly 100-years of bloody German history. Through a series of meticulously narrated letters and diary entries ― set against gorgeous black-and-white imagery of Continue Reading
Grímur Hákonarson’s sensitive drama The County is the tale of one woman’s determined fight against capitalist corruption threatening the social and economic freedom of their locality. Gorgeously shot by Mart Taniel (The Temptation of St. Tony, November), the film is bookended by wide Ceylanesque frames of the vast Icelandic mountains Continue Reading
When was the last time that you thought about how the branded clothes that you buy and wear get made? About the people who make them and the conditions under which they do so? Probably never, right? Director Rubaiyat Hossain wants to change that with her film, Made in Bangladesh, Continue Reading
“Freely adapted” from Sophocles’ Greek tragedy of the same name, Antigone is a vibrant and heartbreaking account of a teenager’s self-sacrificial journey through the Canadian criminal justice system to save her family from falling apart. Banking on an extraordinary lead performance from Nahéma Ricci (and her piercing green eyes) and Continue Reading
Adolescence is an awkward and difficult time. Most often we underestimate what teenagers are going through because we are more than happy to forget our own struggles at that age. Everyone faces different challenges growing up. The Canadian production ‘Giant Little Ones’ tries to bring this to the fore. It Continue Reading
Summer Survivors, directed by Marija Kavtaradze was one of the most notable films of 2018. The film was part of the line up in the “Discoveries” section of the prestigious Toronto International Film Festival this year. In an era when under-representation of mental health and lack of awareness is rampant, the film Continue Reading
Somewhere around the first quarter of Los Silencios, our protagonist Amparo finds herself inside a fishery looking for a job. Her potential boss tells her about different kinds of fishes. One particular fish, The Catfish, is mentioned to be relatively easy to catch but requires one to be fast in Continue Reading