Son-Mother (2019) Review – A Radical Reflection of Social Evils Plaguing Iran

Son-Mother is reminiscent of the humanist dramas of Jafar Panahi (who, just like Mohammadi herself, was also barred from travelling abroad and sentenced to prison for his views) and his radical critique of orthodox Iranian values and traditions, anchored by a nearly-wordless central performance from the young Mahan Nasiri, vividly reflecting the pain of having one’s fundamental rights violated and then being coerced into accepting their fate without protest.

The White Balloon (1995) Review ― A Uniquely Structured Neorealist Drama

Jafar Panahi’s debut feature about a little girl’s quest to buy a goldfish becomes a vivid study of the little things and emotions, often neglected and forgotten in the hustle and bustle of daily routine, that constitute everyday life. With a screenplay written by another legend of Iranian cinema, Abbas Continue Reading