Son-Mother is reminiscent of the humanist dramas of Jafar Panahi (who, just like Mohammadi herself, was also barred from travelling abroad and sentenced to prison for his views) and his radical critique of orthodox Iranian values and traditions, anchored by a nearly-wordless central performance from the young Mahan Nasiri, vividly reflecting the pain of having one’s fundamental rights violated and then being coerced into accepting their fate without protest.
In the words of co-director Anna Falguères, “If history is always written by the victorious, Pompei is a marvellous counterexample.” She was, of course, referring to the lost city and its immortalization through a natural disaster, but her words apply just as well to the microcosm (of a time and Continue Reading
Thomas Heise’s sprawling epic, Heimat is a Space in Time, charts the progress and gradual disintegration of a family spanning over three generations, which is juxtaposed against nearly 100-years of bloody German history. Through a series of meticulously narrated letters and diary entries ― set against gorgeous black-and-white imagery of Continue Reading
“Freely adapted” from Sophocles’ Greek tragedy of the same name, Antigone is a vibrant and heartbreaking account of a teenager’s self-sacrificial journey through the Canadian criminal justice system to save her family from falling apart. Banking on an extraordinary lead performance from Nahéma Ricci (and her piercing green eyes) and Continue Reading
Winner of the Un Certain Regard Jury Prize at Cannes, Oliver Laxe’s Fire Will Come ―set in rural Galicia ― is a quiet rumination on mankind’s place within the vast, untamed lap of nature. Through a minimalistic plot and restrained performances, it examines the symbiotic relationship between the human and Continue Reading